r.i.p.

I'm going to briefly interrupt my sabbatical today to note the passing of one of America's better poets.  Jack Gilbert died today.

One of my favorites of his poems is this one:

The Forgotten Dialect of the Heart

How astonishing it is that language can almost mean,
and frightening that it does not quite. Love, we say,
God, we say, Rome and Michiko, we write, and the words
get it all wrong. We say bread and it means according
to which nation. French has no word for home,
and we have no word for strict pleasure. A people
in northern India is dying out because their ancient
tongue has no words for endearment. I dream of lost
vocabularies that might express some of what
we no longer can. Maybe the Etruscan texts would
finally explain why the couples on their tombs
are smiling. And maybe not. When the thousands
of mysterious Sumerian tablets were translated,
they seemed to be business records. But what if they
are poems or psalms? My joy is the same as twelve
Ethiopian goats standing silent in the morning light.
O Lord, thou art slabs of salt and ingots of copper,
as grand as ripe barley lithe under the wind's labor.
Her breasts are six white oxen loaded with bolts
of long-fibered Egyptian cotton. My love is a hundred
pitchers of honey. Shiploads of thuya are what
my body wants to say to your body. Giraffes are this
desire in the dark. Perhaps the spiral Minoan script
is not laguage but a map. What we feel most has
no name but amber, archers, cinnamon, horses, and birds.

My friend James Raines had a fine brief summary of the man:

At 87 years old, the poet Jack Gilbert died today. He often wrote about what it was like to grow up in a working class neighborhood in Pittsburgh. Many of his poems express a sense of alienation from the lives of others, even those he desperately loved. He sang his songs for a time, tonight the room is silent.

And the Gilbert poem perhaps most poignant on the day of his death:

Refusing Heaven

The old women in black at early Mass in winter
are a problem for him. 

He could tell by their eyes
they have seen Christ. They make the kernel
of his being and the clarity around it
seem meager, as though he needs girders
to hold up his unusable soul. But he chooses
against the Lord. He will not abandon his life.
Not his childhood, not the ninety-two bridges
across the two rivers of his youth. Nor the mills
along the banks where he became a young man
as he worked. The mills are eaten away, and eaten
again by the sun and its rusting. He needs them
even though they are gone, to measure against.
The silver is worn down to the brass underneath
and is the better for it. He will gauge
by the smell of concrete sidewalks after night rain.
He is like an old ferry dragged on to the shore,
a home in its smashed grandeur, with the giant beams
and joists. Like a wooden ocean out of control.
A beached heart. A cauldron of cooling melt.

 
May his refusing heart find a place at Abraham's table.